I'd be remiss not to thank my volunteer crew this year: Andrew, Ben, Carol, Clay, Ichabod, Mike, Ryan, and Synde.
What to say? How to say it? I guess chronologically might be the best approach.
The convention technically began on Friday, and I got to see most of the "A Writer's Guide to Goth and Punk" panel. As many of you know, one of my pet peeves is the wretched depiction of goths in urban fantasy. This was an attempt to have writers involved in that scene discuss ways to "get it right." I also added "punk," so Stacia Kane and Caitlin Kittredge would be involved. Hopefully the panel got the point across - and that point is: do your research. It really isn't that hard.
I caught bits and pieces of some of the other panels, in between running around (and you'll notice this "running around" theme). I made a point of catching the "Hour With Charlaine Harris," which was a massive success. This was the first time I had met Charlaine, and she is one of the nicest people I have met recently. True Blood has helped increase her sales, and her fame is proof that sometimes the good people win. The interview was conducted by me and Charlaine's mutual friend Jeanne Stein, and was a lot of fun.
I also caught the "Hour With Sherrilyn Kenyon." Sherri is a longtime staple of my programming, but this panel was the only time that I got to see her the entire weekend; ah well, I'll see her in a couple of months in a less frenzied environment. Alethea Kontis moderated this one, as she has every year. It's a good team-up that always makes for an entertaining hour.
Michelle Belanger conducted the "Hour With Chelsea Quinn Yarbro." Quinn is my favorite writer of vampire fiction and a genuinely cool person besides. She is so influential to this genre that I call home that it is always an honor to see her.
The pile-up began shortly thereafter, with ginormous panels "Fun With Demonology" and "Undead In Dixie" running back to back. "Fun With Demonology" featured Christopher Golden, Mike Mignola, Stacia Kane, Jackie Kessler, Richelle Mead, Julie Kenner, with Carol Malcolm moderating. With those names, you better believe it got packed and packed fast... of course, there was some confusion (on my part as much as anyone's) which resulted in long lines out the panel room door. "Undead In Dixie" featured not only Charlaine, but also Elizabeth Donald, Raven Hart, and J.F. Lewis, with Carol once again steering the discussion. One of the things that I like about Charlaine is that she did not try to dominate the conversation. Yes, the Sookie books were important to the discussion, but she contributed to the overall scope of the topic - as did all of the authors.
"Give 'em Hellboy," the big Mike Mignola interview (conducted by his editor, Scott Allie), was on Sunday. Mike is a cool guy who is not afraid to be honest with his opinion. I really like the guy - he even came by to watch a couple of panels that he was not involved with. "I Sing The Body Horrific" was a panel that got off to an interesting start. The theme was the idea of body horror and transformation, and I lined up a terrific array of speakers. The problem was... I forgot to assign a moderator. Luckily, my friend Andrew Deane (an author and musician) stepped in at the last minute to moderate. It turned out to be a great panel, with the discussion turning into a philosophical look at the horror genre. Doug Bradley (that's "Pinhead" from the Hellraiser films) first thought that he was the "odd man out" on the panel, but quickly and definitively gave wonderful observations. "I Sing The Body Horrific" turned out to be one of the track's quiet surprises.
"Whatdunnit?" was another big panel, with a discussion of mystery/fantasy hybrids. "Bleeding Into The Mainstream" was one of the few "purely goth" panels I caught all weekend; it is our annual discussion of goth themes in mainstream media. The biggest revelation of the entire panel was Jessica Lackey from The Crüxshadows making some observations about Twilight that made me hate it a little less than I had before.
Monday's programming drew larger than expected crowds - always a good thing, since that's the day most people are packing up and leaving. "Under Raven's Wings" was our look at Edgar Allan Poe's influence. It also turned out to be the last panel, since I cancelled the last one (one of the two speakers couldn't make it).
Also, there were concerts. I caught Weep and Bella Morte Friday night, and part of Hellblinki Saturday night. The Crüxshadows show was packed again, but they tour so often that I am sure I will see them before the next Dragon*Con rolls around. Faith & the Muse put on a spectacular show, complete with an incredible performance with the dancers from Serpentine.
Sad to say, this is only scratching the surface of things. It really is not hyperbole to say that Dragon*Con is unlike anything you have ever seen.
Special thanks go to the people who bought me food over the course of the event: Alethea Kontis, Leanna Renee Hieber, Charlaine Harris, Jessica Lackey, and Rogue. And a special mention goes to Jackie Kessler, who has offered drinks for the past two years!

6 comments:
I feel terribly guilty now; I didn't offer to get you a drink or snack once. Eep.
(In my defense, the one time I saw you that I actually wasn't running anywhere myself, you were eating burritos or something. But still. *guilt* I'm sorry!)
The con was an amazing experience; thanks so much for letting me be a part of it. {{hug}}
And when are you coming back to town???
Yeah, but you also bought me lunch a couple of weeks earlier at The Vortex. The Vortex rules.
Terrific post, Derek. DragonCon sound like a great way to spend a weekend. I have promised myself to make it next year!
If you attend, Patricia, I will be asking your advice on certain areas.
I'm already looking forward to next year. Thanks again for including me on the Monday programming. Both "The Future of Urban Fantasy" and "Under Raven's Wings" were great. Though I confess, my favorite bits were Rogue's dramatic readings. At how many panels can you get the full performance of "Annabel Lee"?
Cheers!
I like Rogue, he did exactly what I hoped and expected him to do - offer a different perspective that still worked well with the others. I am trying to think of other panels to get him involved with that are not just "music" panels. After that panel, me, him, and Ichabod talked for a half hour or so about various aspects of gothic literature. That's one thing I like a lot about the goth subculture - it is on the whole very literate.
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